The Zakk Wylde Signature Wah Pedal is the result of a collaboration between modern Crybaby master Zakk Wylde and Dunlop. They joined forces to deliver the toughest, meanest wah pedal on the planet. This pedal can stand up to the crushing stomp of metal's reigning king of lead guitar.
Model:
ZW45
Manufacturer:
Dunlop
Base SKU:ae00-1619
In Stock:Yes
Retail Price: $200.55 Grand Opening Sale Price: $129.99
BOSS is pleased to offer another “Authentic BOSS” Compact Pedal; the AC-3. How many times have you been onstage or in the studio with your electric guitar, and wished that you’d brought an acoustic along? For musicians who travel light, hauling an extra guitar to the gig isn’t always the most attractive option. BOSS AC-3 to the rescue! This new-generation compact pedal employs COSM® modeling technology to transform any electric guitar into a variety of beautiful acoustic guitars.
Four simulation modes: Standard, Jumbo, Enhanced, and Piezo-equipped
Top and Body knobs for fine-tuning the virtual-body resonance
Built-in reverb, optimized for acoustic-guitar simulation
While fads and fashions may come and go, the true classics will always be in demand. It’s been nearly a decade since DigiTech® introduced the mind bending effects of the WhammyTM pedal to the world, and that original design has been in demand ever since. The same smooth pitch bends, rich detuning, accurate dive bombs, and fast tracking harmony shifts, which were responsible for the instant success of the original Whammy pedal have been resurrected in the new incarnation of the DigiTech® WhammyTM Pedal. Painstaking efforts were made to recreate the exact sounds that made the DigiTech® WhammyTM such a popular and indispensable effect.
Every feature of the original WH-1 has been included in the new WhammyTM. From the rotary preset selection knob, to the Ferrari red color; From the mechanical momentary switch, to the exact same interval selections. However, the new WhammyTM has added the versatility of MIDI control making this timeless effect flexible enough for any situation. The new "Dive Bomb" Preset gives the effect of a whammy bar pushed all the way to the body of the guitar, and 16 LEDs provide a visual indication of your Preset selection even on dimly lit stages.
The DigiTech Bad Monkey Tube Overdrive Pedal gives your amp a boost right where you need it, sending your signal from clean to smooth, classic overdrive with character and dynamics. Low and High tone controls give you the flexibility to boost or cut the bass and treble frequencies for just the right sound. The Level knob boosts the output level of your signal, and the Gain knob controls the level of overdrive distortion. The Amp output runs into the input of your amplifier and the dedicated Mixer output has a cabinet emulation circuit that lets you run direct into a mixer or recorder when you don't want to lug your amp along.
The legendary Death Metal pedal is by far the most extreme distortion you will ever hear. Simply put, we have turned the gain up to “eleven” and ripped the knob off. Level, Low, Mid, and High tone controls provide flexible tone shaping, so even though this distortion is over the top, your guitar is guaranteed to cut through.
The Grunge pedal has a legendary status few pedals have ever attained. Designed for cutting edge guitarists who want a unique sound, the Grunge provides the tones today’s music requires. Whether it’s chunky rhythm, heavy grind, or amazing sustaining leads you're after, the Grunge gets you these and everything in between. Just plug in and find out why so many players have made this a top seller for more than a decade.
The Hot Head Distortion is a multi-purpose pedal for any music style where distortion is needed. Armed with flexible Low, High, and Gain controls, the Hot Head can dial in just the right tone for your setup. If you just want a little dirt or you need your amp to sound like a full stack, the Hot Head lets you rock with the best.
Powered by DigiTech's AudioDNATM2 DSP processor, the RP70 includes detailed models of boutique stompboxes, amps, cabinets and effects. The RP70's tone and effect libraries allow you to quickly and easily get any sound you want. It's like having a music store at your disposal. From hot-rodded rock and roll to metal, the RP70 has everything you need to get the tones you want or need. To top it all off, the chorus and DigiTech WhammyTM effects can be re-arranged to go before the amp model or after which ever you desire.
The RP70 features 1/4" a guitar input along with separate left and right 1/4" output jacks that can be connected to either an amplifier or mixer for direct recording with a press of the Amp/Mixer switch that engages the internal speaker cabinets for direct recording. Rounding off the outputs is a separate, stereo 1/8" headphone jack for practicing purposes. To control the wah and Whammy, connect any expression pedal to the 1/4" control input.
The Screamin’ Blues Overdrive / Distortion is designed for guitarists who need a pedal that responds to playing dynamics. Blues players in particular will love how the Screamin’ Blues gives them total control of their tone. Playing lightly gives you a mild overdrive, but dialing up the gain and digging in hard will make the Screamin’ Blues sing with ultra-rich harmonics and sustain.
Once you start using the DigiTech DigiVerb Digital Reverb Pedal you won't want to stop. The spring reverb is so real you can almost hear the spring rattling in the box. Different plate reverbs put excitement in your snare or vocals, and various halls breathe warm space into any instrument sound. Level, EQ, Decay, and Type controls let you tailor your 'verb any way you like. Left/mono and right outputs. DigiTech DigiVerb includes 9V battery.
The Digitech XHR Hot Rod Distortion Pedal morphs among 3 of the most revered classic distortion stompboxes ever made: the ProCo Rat, the Boss DS-1, and the Arbiter Fuzz Face. The Hot Rod from DigiTech delivers rich rock growls that can be tweaked into a near-limitless array of distortion sounds with a simple twist of the Morph knob. The unique, innovative spectral-contouring EQ provides astonishing tonal range. 2 outputs, one for normal signal out and one with advanced cabinet modeling, make this stompbox ideal for studio or stage! Controls on the DigiTech XHR Hot Rod pedal include Level, Tone, Gain, and Morph.
DigiTech XHR Hot Rod Distortion Pedal
Morphs between the ProCo Rat, the Boss DS-1, and the Arbiter Fuzz Face
The MXR M-102 Dyna Comp Pedal creates infinitely clean sustain. It uses a signal-limiting processor that varies its gain so that the output signal stays constant. The MXR M-102 Dyna Comp Pedal features Output and Sensitivity knobs and LED on/off indication.
The potentiometer has a 250k ohm resistance suitable for the audio path of passive instruments. Behind the jack area under the footplate is a taper switch, which provides the user two distinct volume swell rates. Overall Volume Pedal dimensions: 4" W x 11" L x 2 3/4" H. The main pivot shaft is of centerless ground 1/2' diameter stainless steel, precision seated though nylon bushings at both ends. The large center shaft diameter, in addition the strength factor, creates a broader stress bearing surface.
The Line 6 FBV2 is a 2-button footswitch that allows you to scroll through the first 4 presets on Line 6 PODxt, PODxt Pro, Bass PODxt, Bass PODxt Pro, Flextone III, Vetta, Vetta II, HD147, Duoverb, Spider II and Spider III.
The Line 6 ToneCore Space Chorus effects pedal has 3 killer models, all based on analog effects: Chorus, Tri, and Vibrato. Tweak your sound with adjustable speed, shape, and depth while controlling the rate with tap tempo. Stereo I/O.
ToneCore pedals consist of a ToneDock base in stereo or mono and interchangeable effects modules that snap in and out, allowing you to change effects without rearranging your pedalboard. The ToneDock is powered by a 9V battery or optional DC-1 adapter.
The ToneCore Liqua-Flange guitar effects pedals features selectable Digital, Liquid, and Analog models-all with pass through zero flanging-that give you more flanging options than you though possible. Add to that selectable negative/positive polarity; 11 selectable waveforms; Time, Speed, Feedback, and Depth controls; and tap tempo capability and you've got a flanger like no other. Liqua-Flange has stereo ins/outs, and can be powered by a 9V battery or the optional Line 6 DC-1 power supply.
ToneCore pedals consist of a ToneDock base in stereo or mono and interchangeable effects modules that snap in and out, allowing you to change effects without rearranging your pedalboard. The ToneDock is powered by a 9V battery or optional DC-1 adapter.
Get ultrafunky and experimental with the ToneCore Otto Filter by tweaking its Band Pass (state variable), Low Pass (ladder), and custom Line 6 Twin filter models. On top of that, Sensitivity, Range, and Peak knobs let you hone in on that perfect effect.
ToneCore guitar pedals consist of a ToneDock base in stereo or mono and interchangeable effects modules that snap in and out, allowing you to change effects without rearranging your pedalboard. The ToneDock is powered by a 9V battery or optional DC-1 adapter.
If you're tired of tone lacking sustain and controlled feedback, the ToneCore Dr. Distorto has got the cure. Dr. Distorto has classic, full-bodied distortion tones with incredible sustain courtesy of the innovative harmonic feedback circuit within. No matter what distortion setting you use, you get perfect feedback every time thanks to the Rise, Fall, and Blend controls. The Sustain and Octave controls give you even more options to get the distortion you crave.
ToneCore pedals consist of a ToneDock base in stereo or mono and interchangeable effects modules that snap in and out, allowing you to change effects without rearranging your pedalboard. The ToneDock is powered by a 9V battery or optional adapter.
Rock ‘n’ Roll has never been about taking things in moderation. So why skimp on your guitar tone? Floor POD offers 12 prescription-strength amp and cab models from the critically acclaimed POD 2.0 plus amazing sounding, easy-to-use effects right at your feet. Now you can have your signature sound in any situation.
No hassles.
No headaches.
From jamming with headphones at home, plugging in front of any guitar amp or PA or jacking into anything with power and speakers, getting killer guitar sounds for studio or stage has never been easier.
C. A. House Music is a full service music store that has been operating in the Ohio Valley region since 1872. We carry everything from guitars, drums, and professional audio equipment to pianos, orchestral instruments, band instruments, and sheet music. C. A. House Music appreciates all of it's customers and understands that personal service is the key to a great musical experience.
C. A. House Music does not accept liability for incorrect spelling, printing errors (including prices), incorrect manufacturer's specifications or changes, or grammatical inaccuracies in any product included in C. A. House Music's web site or advertisements. Prices subject to change without notice.
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